Sunday, April 30, 2006


There's a giant (no pun intended) new Shepard Fairey and Blake E Marquis mural near the corner of La Brea and Melrose. Very cool, worth checking out if you have a chance. And speaking of Shepard Fairey, his show at Groundworks cafe in the Arts District downtown is in its last week. If you want to pick up some of Shepard's artwork now would be a good time.

Thursday, April 27, 2006

Mute Records has signed Sweden's dark electro-pop duo the Knife for a US release, making the band's new album, Silent Shout, available stateside for the first time. The CD will appear on June 27 along with a 12-inch and CD EP featuring remixes from Shinedoe, Troy Pierce, and Get Physical's Williams. Silent Shout has earned praise for its acidic, goth-inclined songs and uneasy atmospheres from both The Wire and Pitchfork — which gave the album a coveted 8.6 rating. The duo's debut live performance at London's Scala sold out in a stiletto's flash. [thanks, Earplug]

Friday, April 21, 2006

The ultimate tag. Marc Ecko tags Air Force One. Turns out the whole thing was an elaborate hoax.

The new Headhunter T-Shirt by Syndrome is a must have for anyone who wants to show off their 80's industrialness.

Sunday, April 16, 2006


Join the Brothers Quay Friday 4/21 for their first speaking engagement in the United States as they discuss the influences on their work and screen several of their acclaimed films. Prepare for a unique experience of handcrafted animation that manages to push the boundaries of art. Details at oscars.org.

Friday, April 14, 2006

Free Dabrye MP3
Courtesy of the good folks at Ghostly International, you can get your electro-hip hop on with an exclusive 12” remix of Dabrye's Air free of charge, but only for one week (thru 4/24) so get over there and get some.

Oh, and Happy Easter.

British art terrorist Banksy takes it to a new level with his newest piece in Soho Square, London. More info available at Wooster Collective.

Wednesday, April 12, 2006


The Fight Sounds video by Circlesquare (Directed by Bienvenido Cruz) is beautifully shot and brilliantly compliments the song's slow intensity.